Journal of the stylistic of Persian poem and prose
volume Number 15، number In Volume 4، July 2022 ، issue Number 74

Stylistics of short poetry after the Islamic Revolution Case study: Poems of five contemporary poets

Mohammad Sadegh Rahmanian , Mansoureh Sabetzadeh Sabetzadeh (Author in Charge), Kamel Ahmadnejad

Abstract

BACKGROUND AND OBJECTIVES: Short poetry, after the Islamic Revolution, has become a specific and distinct stream of poetry that continues with a special structure, language and unique themes, and for which we can express the generality of stylistics. In this article, with the aim of identifying a specific style for this poetic flow, the stylistic features of short poetry in the poems of five contemporary shorthand poets at three levels of language, rhetoric and thought have been studied.

METHODOLOGY: The research method is descriptive-analytical. The statistical community is the selected poems of five contemporary poets (Bijan Jalali, Mansour Oji, Seyed Hassan Hosseini, Seyed Ali Mirafzali and Sirus Nozari).

FINDINGS: Short poetry in contemporary literature has existed among the half-forms of white and prose poetry, new wave, volume poetry, and pure wave, but after the Islamic Revolution, especially with the introduction of haiku to the literary community, poets from the seventies onwards It has a style and is no longer a poetic form but a literary current with its own theoretical foundations. In this poem, from the linguistic level, external and lateral music is not important. In the inner music of all kinds of puns, there is a repetition of phonemes and words. At the linguistic level, it has a simple structure and difficult words are not used. At the literary level, poetry is illustrative and there are all kinds of similes, discernments, contradictions, ambiguities, and the like.

CONCLUSION: Contemporary short poetry has a simple linguistic structure free of difficult and unfamiliar words. Its stylistic feature is its lack of commitment to outside and side music, and poets have used it with taste. But in inner music, due to the linguistic capacities of Persian literature, it is rich. In the field of literature, it is an imaginative poem and all kinds of literary arrays are used in it. In the field of content, it is a committed and semantic poem that has paid more attention to descriptive, mystical and critical themes.

Keyword
short poem , Style , Language , rhetoric , Theme

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